The International IMPAC DUBLIN Literary Award

Delighted to discover last night that The Violent Century has been longlisted for the International IMPAC DUBLIN Literary Award.

142 books have been nominated by libraries worldwide for the €100,000 International IMPAC DUBLIN Literary Award, the world’s most valuable annual literary prize for a single work of fiction published in English.

The longlist is nominated by librarians worldwide, which makes The Violent Century being on the longlist particularly rewarding.

How To Win a Hugo

So a while ago I analysed at great length took a nap and worked out all the elements you need to win a Hugo Award.

The result was a story called “Whaliens”, published earlier this year in Analog Magazine. It is currently reprinted online, under the title of “How To Win A Hugo Award”, over at Pornokitsch.

Follow this foolproof method and you, too, could win a Hugo! (though, since I was never even nominated for one, you should probably take this with a pinch of salt).

Alt History Posters #2: Tangier (plus giveaway!)

Giveaway Time! Tweet @hodderscape with your favourite #Fakefilms for a chance to win 1 of just 4 exclusive Tangier posters! (note the competition is open to UK addresses only).

One of my favourite moments in A Man Lies Dreaming comes when Wolf runs into an old friend – the notorious Nazi film maker and actress Leni Riefenstahl.

Riefenstahl (1902-2003),began her film career as an actress, starring in some 7 early films before turning to directing with The Blue Light in 1932. Around this time she met Adolf Hitler, and became his intimate confidant. She was the Nazis’ most spectacular propagandist, creating such infamous films as The Triumph of the Will (1935) and Olympia (1938). She was detained after the war but never convicted of a crime, and died at the ripe old age of 101. Susan Sontag wrote her famous essay, Fascinating Fascism, about Riefenstahl. In her obituary, the Independent called her “famous for being the woman you love to hate.”

In A Man Lies Dreaming, Leni ends up in Hollywood – where she’s cast opposite a little known actor, Humphrey Bogart, in a film set in Morocco, where refugees from Communist Germany find temporary shelter, and a disillusioned bar owner plays complex chess problems against himself – until an old flame walks through the door.

From early on I knew I wanted to not just write the gag (the film is in fact a sequel to The Great Gatsby), but to see it, and this was the original collaboration I worked on with Sarah (the second one was the Re-Elect Mosley poster). There is always something so fascinating about #fakefilms, a perennial what if? question.

To create the poster, we used as our base one of the original release posters. There are several, so we ended up going with the one that features Ingrid Bergman’s face, and a smaller scene set in Rick’s bar. We replaced Bergman with Riefenstahl as a first step. At this point it became clear we were engaging in some imaginary casting, too. It was obvious Paul Henried (Victor) had to go, and it seemed only natural to me to replace him with – who else – Boris Karloff.

But next to go on the poster was the Soviet red star – further indicating the historical diversion point – then the casting. Hattie McDaniel replaces Doolie Wilson (Sam) – she was the first African-American actor to win an Oscar, for 1939’s Gone with the Wind. Finally, Burgess Meredith and Ronald Reagan replace Peter Lorre and Sydney Greenstreet.

For the visual scene (Rick’s bar in the original) we ended up using the image of Soviet troops, marching. We also added the tagline “Everybody Comes to Gatsby’s” (Casablanca itself was based on the unproduced stage play, Everybody Comes to Rick’s).

The result was this:

Tangier poster

Though we weren’t able to reprint the poster in the finished book, Hodder have very kindly printed 4 copies for our exclusive giveaway!

As above, tweet @hodderscape with your favourite #Fakefilms for a chance to win a copy!

The Guardian review A Man Lies Dreaming

Amazing review in the Guardian for A Man Lies Dreaming, beginning:

A Holocaust novel like no other, Lavie Tidhar’s A Man Lies Dreaming comes crashing through the door of literature like Sam Spade with a .38 in his hand. This is a shocking book as well as a rather brilliant one, and it treats the topic of genocide with a kind of energetic unseriousness.

And concluding with:

A Man Lies Dreaming is a twisted masterpiece.

I couldn’t ask for more!