Going To The Moon has been reviewed over at SF Signal:
Going to the Moon is the story of a young boy named Jimmy who wants to be an astronaut. He wants to go to the Moon. Jimmy also doesn’t want to have to fight his constant, taxing struggle against the Tourette’s syndrome that dominates his life. He doesn’t like the dance-like involuntary movements it causes in him. He’s bullied, in the way young people who are different are often bullied. The corprolaia of Toruette’s syndrome means that he involuntarily uses curse words, even though he doesn’t want to. As such, the book doesn’t shy away from trangressive words. Words I can’t use in this review.
The real heart and soul of the book is found in the pictures by Paul McCaffrey. They are beautifully and colorfully drawn. But there’s more to the book than just Lavie’s words and the pictures. Like the best picture books, the text and the images engage and interpolate with each other, in a dialogue that makes the book stronger for that interaction. The theme of aliens (and Jimmy himself is definitely an alien in some ways) is reflected in the imagery much more than the text. To cite another example, the use of curse words in exclamation in the imagery reminds me of the innovative subtitles in the movie Night Watch.
And the end brought tears to my eyes as the reader figures out what Jimmy and the friend he makes are too young to realize. Curse you, Lavie Tidhar…your audacity strikes me again.
It’s not a book you’d want to read to your children, because of the language. Although its about a young boy and his concerns, its a book for adults. And it moved me. It will move you, too. – read the full review.
Photo (c) Sandy Auden 2012
And I am interviewed at SF Signal about the process of creating the book:
CT: How did you end up collaborating with Paul McCaffery? When you were writing the book, did you know he would be illustrating it?
LT: Terry put us together. It took a long time to find the right artist, if I remember rightly. But once the connection was made, it was obvious he was the perfect person for it. I love his artwork, and he gives the book this wonderful slightly-off sense – it’s innocent, and charming, and really emotive, I think, and that weird physical perspective of the characters really works. I guess I’m just a fan!
CT: What was the collaboration process like?
LT: To begin with, I had to do sort of word-sketches for each page of illustration. I had to take the original text and really clarify how it was meant to be split into pages, and opposite each page of text I had to write down notes for Paul, on how I envision the page to be, what should be in it and so on. So in a way it was a little like writing comics, only you’re not writing panels, you’re writing full page illustrations. Then Paul went away and then the pages would start coming in, and then, in a few cases, we’d have back and forth on them, what worked and what didn’t. So sometimes the first illustration was spot on, at other times we went through several tries to get to the one we were most happy with.
CT: What was the most difficult aspect about writing the book?
LT: The whole thing was a challenge – in the best possible way! I think the hardest thing though was having patience – we all knew this was a long-term project, it’s literally taken years from conception to actualization – I think I’m actually still in a bit of shock that it’s real and physical and in my hands. – read the full interview.