In a 19th century unlike our own, the shadowy assassin known as the Bookman moves unseen. His weapons are books; his enemies are many. And when Orphan, a young man with a mysterious past, loses his love to the sinister machinations of the Bookman, Orphan would stop at nothing to bring her back from the dead.
In The Bookman, World Fantasy Award winner Lavie Tidhar writes a love letter to books, and to the serial literature of the Victorian era: full of hair-breadth escapes and derring-dos, pirates and automatons, assassins and poets, a world in which real life authors mingle freely with their fictional creations – and where nothing is quite as it seems.
In the last decade of a 19th century unlike our own, Milady de Winter is called to the scene of an impossible crime. A gruesome murder on the Rue Morgue sets her against a ghostly serial killer, and on a voyage that leads from the catacombs of Paris to the wonders of the New World – where new horrors lie in wait.
In Camera Obscura, World Fantasy Award winner Lavie Tidhar combines the Victorian penny dreadful with exploitation cinema to create a wide-screen thriller of redemption: complete with mad scientists, secret societies, Shaolin monks and figures liberally borrowed from the literature of the era – as only he can.
As a 19th century unlike our own comes to a close, Mycroft Holmes is found murdered outside his London club. It is up to retired shadow executive Smith to track down the killer – only to stumble on the greatest conspiracy of his life. Strange forces are stirring into life around the globe, and in the shadow game of spies nothing is certain.
In The Great Game, World Fantasy Award winning author Lavie Tidhar concludes his epic trilogy of a Victorian era that could never have been: filled with literary references galore, not to mention airship battles, Frankenstein monsters, alien tripods and death-defying acts. It is a world where nothing is certain – not even death.